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@incollection{witterndigitaltripitakamodernworld2017,
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@article{burdorfAlertingMassesInquiry2019,
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@book{laiyilu2001,
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@book{sharfComingTermsChinese2002,
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@incollection{ShiGuoJingFoJiaoWuQingShuoFaDeXueLiTanJiu2017,
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  year = {2017},
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@book{sturgeonYijingYiJingWestern,
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@book{yanghsuan-chihRecordBuddhistMonasteries1984,
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@book{dewolffHydrohumanitiesWaterDiscourse2021,
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@book{tuanSpacePlacePerspective2011,
  title = {Space and place: the perspective of experience},
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@article{fortunatoCaseFreeOpen2021,
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@misc{konigGettingYourselfOrganised2016,
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@article{schmidtNiklasLuhmannCard2018,
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@misc{thoughtbotEmacsWriters2015,
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@article{bockCitizenVideoJournalists2012,
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@article{vukovichSoundFurySignifying2020,
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@book{myrickEthicsChristianMusicking2021,
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@incollection{asselineaucharacterizin2020,
  author = {Asselineau, Marc},
  title = {Characterizing the acoustics of places of worship: should we believe in acoustic indicators?},
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@incollection{barclayAcousticEcologyEcological2019,
  title = {Acoustic Ecology and Ecological Sound Art: Listening to Changing Ecosystems},
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@article{barclayInterdisciplinaryApproachesFreshwater2020,
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@article{batchelorLowercaseStrategiesPublic2013,
  title = {Lowercase Strategies in Public Sound Art: Celebrating the transient audience},
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  number = {1},
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@article{bronfmanBiographySonicArchive2016,
  title = {Biography of a Sonic Archive},
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@book{bullbloomsbury2020,
  title = {The Bloomsbury handbook of sonic methodologies},
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@phdthesis{delaurentiactivistsound2020,
  author = {DeLaurenti, Christopher},
  title = {Activist Sound: Field Recording, Phonography, and Soundscapes of Protest},
  school = {Goldsmiths, University of London},
  year = 2020
}
@article{delaurentiMakingActivistSound2015,
  title = {Making Activist Sound},
  author = {DeLaurenti, Christopher},
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}
@article{dreverSoundscapeCompositionConvergence2002,
  title = {Soundscape composition: The convergence of ethnography and acousmatic music},
  shorttitle = {Soundscape composition},
  author = {Drever, John Levack},
  year = {2002},
  journal = {Organised Sound},
  volume = {7},
  number = {1},
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@article{duarteSoundscapeAnthropoceneOcean2021,
  title = {The soundscape of the Anthropocene ocean},
  author = {Duarte, Carlos M. and Chapuis, Lucille and Collin, Shaun P. and Costa, Daniel P. and Devassy, Reny P. and Eguiluz, Victor M. and Erbe, Christine and Gordon, Timothy A. C. and Halpern, Benjamin S. and Harding, Harry R. and Havlik, Michelle N. and Meekan, Mark and Merchant, Nathan D. and {Miksis-Olds}, Jennifer L. and Parsons, Miles and Predragovic, Milica and Radford, Andrew N. and Radford, Craig A. and Simpson, Stephen D. and Slabbekoorn, Hans and Staaterman, Erica and Van Opzeeland, Ilse C. and Winderen, Jana and Zhang, Xiangliang and Juanes, Francis},
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@article{ecksteinDesigningSoundscapesArgumentation2018,
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}
@incollection{eisenbergIslamSoundSpace2013,
  title = {Islam, sound and space: Acoustemology and Muslim citizenship on the Kenyan coast},
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  editor = {Born, Georgina},
  year = {2013},
  pages = {186--202},
  publisher = {Cambridge University Press},
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  doi = {10.1017/CBO9780511675850.010}
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@incollection{feldAcoustemology2015,
  title = {Acoustemology},
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  pages = {12--21},
  publisher = {Duke University Press},
  address = {London}
}
@incollection{feldWaterfallSongsAcoustemology1996,
  title = {Waterfall of Songs: An Acoustemology of Place Resounding in Bosavi, Papua New Guinea},
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  year = {1996},
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@incollection{guillebaudSoundwalksShivaTemple2020,
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  booktitle = {Worship Sound Spaces: Architecture, Acoustics and Anthropology},
  author = {Guillebaud, Christine},
  editor = {Guillebaud, Christine and Lavandier, Catherine},
  year = {2020},
  pages = {104--121},
  publisher = {Routledge},
  address = {Oxon}
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@incollection{hackettAuditoryMaterials2011,
  title = {Auditory Materials},
  booktitle = {The Routledge handbook of research methods in the study of religion},
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  pages = {447--458},
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@inbook{haukampIntroducingAsianSound2022,
  title = {Introducing Asian Sound Cultures},
  booktitle = {Asian Sound Cultures},
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  year = {2022},
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  publisher = {Taylor \& Francis},
  doi = {10.4324/9781003143772-1}
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@incollection{helmreichUnderwaterMusicTuning2012,
  title = {Underwater Music: Tuning Composition to the Sounds of Science},
  booktitle = {The Oxford handbook of sound studies},
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  editor = {Pinch, Trevor and Bijsterveld, Karin},
  year = {2012},
  pages = {151--175},
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@book{hemptonEarthSolarPowered2016,
  title = {Earth is a Solar Powered Jukebox},
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  year = {2016},
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@incollection{hirschkindReligion2015,
  title = {Religion},
  booktitle = {Keywords in Sound},
  author = {Hirschkind, Charles},
  editor = {Novak, David and {Sakakeeny}},
  year = {2015},
  pages = {165--174},
  publisher = {Duke University Press},
  address = {Durham}
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@article{hsiehPianoTransductionsMusic2019,
  title = {Piano transductions: Music, sound and noise in urban Taiwan},
  shorttitle = {Piano transductions},
  author = {Hsieh, Jennifer C.},
  year = {2019},
  journal = {Sound Studies},
  volume = {5},
  number = {1},
  pages = {4--21},
  doi = {10.1080/20551940.2018.1564459}
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@incollection{ingoldSoundscape2007,
  title = {Against Soundscape},
  booktitle = {Autumn Leaves: Sound and the Environment in Artistic Practice},
  author = {Ingold, Tim},
  editor = {Carlyle, Angus},
  year = {2007},
  pages = {11},
  publisher = {Double Entendre},
  address = {Paris}
}
@incollection{krauseEcoacousticsItsExpression2017,
  title = {Ecoacoustics and its Expression through the Voice of the Arts: An Essay},
  booktitle = {Ecoacoustics: The ecological role of sounds},
  author = {Krause, Bernie and Monacchi, David},
  editor = {Farina, Almo and Gage, S. H.},
  year = 2017,
  pages = {297--312},
  publisher = {John Wiley \& Sons, Inc},
  address = {Hoboken}
}
@article{levy-landesbergSoundCityRethinking2021,
  title = {Sound \& the City: Rethinking Spatial Epistemologies with Urban Sound Maps [pre-print] Published on Sound Studies},
  shorttitle = {Sound \& the City},
  author = {{Levy-Landesberg}, Hadar},
  journal = {Sound Studies},
  year = {2021},
  doi = {10.1080/20551940.2021.1982563}
}
@article{mccartneyCircumscribedJourneysSoundscape2002,
  title = {Circumscribed journeys through soundscape composition},
  author = {McCartney, Andra},
  year = {2002},
  journal = {Organised Sound},
  volume = {7},
  number = {1},
  pages = {1--3}
}
@incollection{porcelloAfterword2005,
  title = {Afterword},
  booktitle = {Wired for sound: engineering and technologies in sonic cultures},
  author = {Porcello, Thomas},
  editor = {Greene, Paul D. and Porcello, Thomas},
  year = {2005},
  series = {Music/culture},
  pages = {269--282},
  publisher = {Wesleyan University Press},
  address = {Middletown, Conn}
}
@book{schaferSoundscapeOurSonic1993,
  title = {The soundscape: Our sonic environment and the tuning of the world},
  shorttitle = {The soundscape},
  author = {Schafer, R. Murray},
  year = {1993},
  publisher = {Destiny Books},
  address = {Rochester}
}
@book{sterneAudibleCulturalOrigins2003,
  title = {The Audible Past: Cultural Origins of Sound Reproduction},
  author = {Sterne, Jonathan},
  year = {2003},
  publisher = {Duke University Press},
  address = {Durham}
}
@misc{tengOpenYourEars2018,
  title = {Open Your Ears and Listen Anew - Redesigning the Metro Soundscape},
  author = {Teng, Cathy},
  year = {2018},
  url = {https://www.taiwan-panorama.com/en/Articles/Details?Guid=07c45eba-5f60-420c-804d-b91f313b6e18},
  note = {Translated by Phil Newell.}
}
@incollection{thibaudAfterwordWorldAttunements2020,
  title = {Afterword: a world of attunements},
  booktitle = {Worship Sound Spaces: Architecture, Acoustics and Anthropology},
  author = {Thibaud, Jean-Paul},
  editor = {Guillebaud, Christine and Lavandier, Catherine},
  year = {2020},
  pages = {212--219},
  publisher = {Routledge},
  address = {Oxon}
}
@article{truaxGenresTechniquesSoundscape2002,
  title = {Genres and techniques of soundscape composition as developed at Simon Fraser University},
  author = {Truax, Barry},
  year = {2002},
  month = apr,
  journal = {Organised Sound},
  volume = {7},
  number = {1},
  pages = {5--14},
  doi = {10.1017/S1355771802001024}
}
@book{truaxHandbookAcousticEcology1999,
  title = {Handbook for Acoustic Ecology},
  editor = {Truax, Barry},
  year = {1999},
  publisher = {Cambridge Street Publishing},
  address = {Vancouver},
  note = {Online version.}
}
@article{truaxSoundscapeCompositionGlobal2008,
  title = {Soundscape Composition as Global Music: Electroacoustic music as soundscape},
  shorttitle = {Soundscape Composition as Global Music},
  author = {Truax, Barry},
  year = {2008},
  journal = {Organised Sound},
  volume = {13},
  number = {2},
  pages = {103--109}
}
@article{westerkampLinkingSoundscapeComposition2002,
  title = {Linking soundscape composition and acoustic ecology},
  author = {Westerkamp, Hildegard},
  year = {2002},
  journal = {Organised Sound},
  volume = {7},
  number = {1},
  pages = {51--56},
  doi = {10.1017/S1355771802001085},
  url = {https://www.cambridge.org/core/product/identifier/S1355771802001085/type/journal_article}
}
@article{bielefeldtTreasuryEyeTrue2009,
  title = {Treasury of the Eye of the True Dharma, Book 46: The Insentient Preach the Dharma (Mujō seppō)},
  author = {Bielefeldt, Carl},
  year = {2009},
  journal = {Dharma Eye},
  volume = {27},
  pages = {18--23},
  url = {https://www.sotozen.com/eng/dharma/pdf/27EC.pdf}
}
@article{bielefeldtTreasuryTrueDharma2013,
  title = {Treasury of the True Dharma Eye, Book 25: Sound of the Stream, Form of the Mountain (Keisei sanshoku)},
  author = {Bielefeldt, Carl},
  year = {2013},
  journal = {Dharma Eye},
  volume = {31},
  pages = {21--29},
  url = {https://www.sotozen.com/eng/dharma/pdf/31e.pdf},
  urldate = {2022-09-18}
}
@incollection{chenBuddhaNatureInsentientBeings2014,
  title = {Buddha-Nature of Insentient Beings},
  booktitle = {Encyclopedia of Psychology and Religion},
  author = {Chen, Shuman},
  editor = {Leeming, David A.},
  year = {2014},
  edition = {Second},
  volume = {1},
  pages = {208--212},
  publisher = {Springer}
}
@incollection{leightonDogenVisionEnvironment2022,
  title = {Dōgen’s Vision of the Environment and His Practice of Devotion and Faith},
  booktitle = {The Theory and Practice of Zen Buddhism},
  author = {Leighton, Taigen Dan},
  editor = {Prebish, Charles S. and Ng, On-cho},
  year = {2022},
  volume = {6},
  pages = {103--121},
  publisher = {Springer Nature Singapore},
  address = {Singapore},
  doi = {10.1007/978-981-16-8286-5_6}
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@book{leightonJustThisIt2015,
  title = {Just this is it: Dongshan and the practice of suchness},
  shorttitle = {Just this is it},
  author = {Leighton, Taigen Daniel},
  year = {2015},
  publisher = {Shambhala},
  address = {Boston}
}
@incollection{okumuraSansuikyo2018,
  title = {Sansuikyō},
  booktitle = {The Mountains and waters sūtra: a practitioner's guide to Dōgen's Sansuikyō},
  author = {Okumura, Shohaku},
  translator = {Bielefeldt, Carl},
  year = {2018},
  publisher = {Wisdom Publications},
  address = {Somerville},
  note = {Translated by Carl Bielefeldt}
}
@incollection{parkesDogenMountainsWaters2009,
  title = {Dōgen’s "Mountains and Waters as Sūtras" (Sansui-kyō)},
  booktitle = {Buddhist Philosophy: Essential Readings},
  author = {Parkes, Graham},
  editor = {Edelglass, William and Garfield, Jay L.},
  year = {2009},
  pages = {83--92},
  publisher = {Oxford University Press},
  address = {Oxford}
}
@book{powellRecordTungshan1986,
  title = {The record of Tung-shan},
  author = {Powell, William F.},
  year = {1986},
  publisher = {University of Hawai'i Press},
  address = {Honolulu}
}
@book{hemptonSoundtrackerPortraitGordon2010,
  title = {Soundtracker: A Portrait of Gordon Hempton},
  author = {Hempton, Gordon and Sherman, Nicholas J.},
  year = {2010},
  publisher = {Fou Films},
  note = {Format: Digital Download. Total Time: 83 minutes.}
}
@book{burgerOneMind2015,
  title = {One Mind},
  author = {Burger, Edward A.},
  year = {2015},
  publisher = {One Mind Productions},
  address = {Yangon},
  note = {Format: online release, total time: 1h 35m.}
}
@book{kirkegaardRooms2006,
  title = {4 Rooms},
  author = {Kirkegaard, Jacob},
  year = {2006},
  publisher = {Touch Records},
  url = {https://touch33.net/catalogue/tone-26-jacob-kirkegaard-4-rooms.html},
  note = {Tone 26. CD – 52 minutes}
}
@misc{djsniffEpPsi112011,
  title = {Ep. Psi 11.02},
  author = {Sniff, {\relax DJ}},
  year = {2011},
  note = {Compact Disc.}
}
@misc{rodenFormsPaperRemastered2011,
  title = {Forms of Paper (Remastered). LINE\_053},
  author = {Roden, Steve},
  year = {2011},
  note = {Digital Download. 54:00.}
}
@incollection{westerkampKitsBeachSoundwalk2010,
  title = {Kits Beach Soundwalk},
  editor = {Westerkamp, Hildegard},
  booktitle = {Transformations},
  author = {Westerkamp, Hildegard},
  year = {2010},
  publisher = {empreintes DIGITALes (IMED 1031)},
  address = {Montréal},
  url = {https://electrocd.com/en/album/2369/hildegard-westerkamp/transformations},
  note = {Format: Digital audio. Total duration: 67:10}
}
@book{delaurentiN30LiveWTO2000,
  title = {N30: Live at the WTO Protest, November 30, 1999},
  author = {DeLaurenti, Christopher},
  year = {2000},
  publisher = {un-American Archive},
  address = {Seattle},
  url = {https://soundcloud.com/delaurenti/n30},
  note = {Compact Disc. 005.}
}
@incollection{ferrariPresqueRienOu2012,
  title = {Presque Rien n°1, ou le lever du jour au bord de la mer (1967-1970)},
  booktitle = {Presque Rien},
  author = {Ferrari, Luc},
  editor = {Ferrari, Luc},
  year = {2012},
  publisher = {Recollection GRM (REGRM 005)},
  address = {Paris},
  note = {Originally published in 1970.}
}
@book{truaxIslands2001,
  title = {Islands},
  author = {Truax, Barry},
  year = {2001},
  publisher = {Cambridge Street Records – CSR-CD 0101},
  note = {Cambridge Street Records. CSR-CD 0101. Compact Disc. 63 min.}
}

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